The Birth of St Kilda as an Entertainment Precinct:

St Kilda, a seaside suburb of Melbourne, was originally the favoured holiday destination and playground of the nouveau riche during the mid-late 1800s.  During this time, St many superior and prominent hotels were built in St Kilda, where those with money would stay, dine, dance and meet.

The now infamous Greyhound Hotel opened in St Kilda in 1853 and was given its name due to Greyhound racing being a popular sport at the time. In 1857 the first train line ran from the city of Melbourne to St Kilda, and directly opposite the new St Kilda railway station was the Terminus Hotel, also built in 1857. Originally called the Terminus Hotel, it was later renamed The George Hotel in 1866.

One of the most instantly identifiable and iconic venues in St Kilda is the Esplanade Hotel or ‘The Espy’. Originally built as the New Bath Hotel in 1856, its name was also changed to the Criterion, which became the first live music venue featuring small string quartets and bands. The hotel was demolished in the 1860s and rebuilt in 1878 and was renamed the Esplanade Hotel, which still stands today. Other hotels that would later become part of the St Kilda live music scene were the St Kilda Inn, which opened in 1853 as the Hare and Hounds, the Grosvenor Hotel built in 1860 and the Duke of Edinburgh Hotel which opened in 1867.

In 1921 alterations were made, changing it from exclusive residential use for the wealthy to incorporate entertainment for the middle classes, with the addition at the ground floor of a grand staircase and lounge bar.

The Espy was set to become one of the largest and most prominent 19th century resort hotels in Victoria. Between 1920 and 1925, the ‘Eastern Tent Ballroom’ constructed to the rear of the site became an important jazz and dance venue, for the rich, hosting music every night. In 1924 the Eastern Tent Ballroom became the primary spot to party, with overseas jazz musicians brought over to play along with a constant stream of local artists.

Jazz continued to be big throughout the 1920s and 30s, and more live music venues opened to accommodate its popularity.

The Prince of Wales Hotel or ‘The Prince’ was opened as a guesthouse in 1862, but its reputation as one of Melbourne’s grandest hotels did not come about until its rebuilding in 1936.

In 1901, the Duke and Duchess of York opened the first national parliament making St Kilda part of the newly federated country of Australia and an entry point for many high-profile visitors. A few years after this, the St Kilda to Brighton Electric Tramway made it easier for those in the Elwood area and Brighton beachfront to visit the happenings in St Kilda. This is perfect timing as the foreshore is gradually transformed, including some big amusement drawcards attracting thousands of new people.

1912 saw the opening of St Kilda’s first enclosed cinema, as well as Luna Park, which was illuminated by 15,000 electric lights, an attraction that drew 22,300 people on opening night. This helped to cement St Kilda as an entertainment destination where live acts were the main attraction.

A full band played while people watched high-wire artists, performing animals and other circus-style acts. James Dixon Williams, a Canadian who owned cinemas in Melbourne, built Luna Park inspired by a visit to Coney Island before returning to the States to start a production house that would eventually become Warner Bros.

The American Phillips Brothers (Herman and Leon) secured the lease for the land on which they erected Luna Park in 1912 and the large timber Palais de Danse in 1913 (The former site of The Palace). Next to the Palais de Danse was built The Palais Theatre, which opened in November 1927 and is where the current theatre still stands today.

Other amusements developed in the area, such as the Wattle Path Palais dance hall (later the St Moritz Ice Rink) on the Upper Esplanade, and the Venue next door, and the Victory Cinema in 1928 on the corner of Barkly and Carlisle (later the National Theatre). St Kilda served a similar function for Melburnians as did Coney Island to the residents of New York City with Acland Street and Fitzroy Street became lined with shops, often built in the front gardens of the earlier houses, which housed numerous restaurants and cafes.

Apartment development also concentrated in the area, some in the gardens of the mansions, some replacing them, or transforming them, with the result that St Kilda became the most densely populated suburb in Melbourne, consisting of often single people who moved away from family life, which, combined with the numerous sometimes late-night amusements, gave the suburb a racy reputation.

This reputation was exacerbated by the financial ruin that the Great Depression brought in 1930, and St Kilda became the growing focus of many of Melbourne's social issues including crime, prostitution and drug abuse. A once fashionable and elegant suburb had now become a tawdry and downright criminal one.

With the influx of American soldiers that WW2 brought in 1942, the face of St Kilda began to change. Drinking, dancing and sex became the norm as the park across the road from The George became one of the favourite sites in Melbourne for prostitution.

The Prince of Wales hotel was very popular amongst American soldiers stationed in Melbourne during the Second World War – an officer’s club was established there to cater to the many officers from Base Section Four Headquarters in Port Melbourne.

The presence of the Americans attracted a large number of Australian women eager to engage with these exotic newcomers whose style and manner was far more desirable than that of the local men. It therefore gained a reputation as a venue for ‘meeting and mating’.

In the 1950s venues such as Jazz Centre 44 (which is now a McDonalds) opened, offering plenty of live to the public on Sunday afternoons and Friday nights.

From 1965, Mirka Mora's Tolarno Hotel became the focus of many of the local artists. By the mid-1960s the Fitzroy Street area had become known for prostitution, with a number of strip-tease cabarets, notably at the once high-class George Hotel.

In 1968, the Palais de Danse, adjacent to the Palais was gutted by fire. The Palace nightclub was built in its place in 1971 (in 2007 this building was closed, gutted by fire, and demolished).

Photo Credits:

  • An 1880s photograph of St Kilda Junction looking south towards the Junction Hotel, cnr Barkly Street/ High Street (now St Kilda Rd) - Public Domain

  • An 1890 photograph of Fitzroy Street looking toward the three blocks that made up the George Hotel - Public Domain

  • Esplanade Hotel, 1881 - Source: St Kilda Historical Society

  • Robson's Figure Eight in 1908 on Lower Esplanade was part of Dreamland, the current site of Luna Park and the Palais Theatre - Source: Public Domain

  • The Palais – late 1930s, Photographer unknown

  • Stardust Lounge and Palais de Danse on fire in 1968 - Source: Public Domain

  • TITS, The George Hotel, c.1971 - Photographer Unknown


Enter Punk:

Australian musicians played and recorded some of the earliest punk music in history, with Melbourne being at the forefront of this new punk phenomenon. By the end of 1977 “supergroup” Young Charlatans had formed in Melbourne out of the ashes of earlier bands and recorded the first version of the Rowland S. Howard song 'Shivers', while fully-fledged punk bands Negatives, Babeez, The Chosen Few, JAB, Proles, Boys Next Door and X-Ray-Z had also been formed. Along with their defiant lyrics that questioned society and made a statement about the social agenda of the day, these new 'punk' bands were soon leaving a mark upon the disillusioned youth of Melbourne, who were fed up with the (middle class) suburban system and needed a rebellious outlet to express their individuality and creativity.

In 1977 St Kilda was considered a degenerate suburb filled with prostitutes, drug addicts and alcoholics; a breeding ground for violence and decay but also for decadence and excitement. As punk bands were being formed, live music venues were in dire need, and thus with the birth of the Melbourne punk scene also came the birth of some of Melbourne’s most iconic underground venues.  Although other underground music venues were in full swing on the other side of the river – Hearts, Martinis, The Champion Hotel, The Clifton Hill Community Music Centre, the 475 Club – none caught the attention of the punk crowd like St Kilda venue The Ballroomdid (Crystal Ballroom / Seaview Ballroom). What started off as a small idea to give new Melbourne punk bands the opportunity to play to an enthusiastic and like-minded audience, quickly evolved into a large-scale venture that showcased international acts like The Cure, Dead Kennedys, XTC and PIL.

A walk on St Kilda’s wild side was a rite-of–passage for many young people and in the late 70s one could easily get beaten up for looking different to the conservative mainstream. However, amidst the four walls and grand staircase of The Ballroom there was a level of safety and acceptance that came from being part of an underground subculture. Here 1960s ball gowns, badges and safety pins were mixed with spiked hair and pointy toed shoes to create a unique punk look, and together with an air of Nick Cave sophistication, The Ballroom crowd became known all over Melbourne as an elite and avant-garde punk set. At The Ballroom a young punk could *Pogo to La Femme, Popgun Men or the Models one minute and get a fix of experimental madness from Primitive Calculators, Whirlywirld and Essendon Airport the next. It goes without saying that The Ballroom or The Crystal Ballroom/Seaview Ballroom, as it was also called, eventually became known as the best punk music venue in town. 

*Pogo - The pogo is a dance in which the dancers jump up and down, while remaining in the same location.

In 1979 independent radio station 3PBSFM placed an ad in a newspaper saying they were looking for premises to broadcast from. Brian Ballantyne, then owner of the Prince of Wales, offered them the rooms out the back of the hotel for nothing. PBS then set about building two studios, a lounge area and a small office at the back of the Prince. The first broadcast from the new premises was on the December 21, 1979. At this point PBS was transmitting at 107.7FM, and the broadcast range was limited. 'Soul Shakedown' parties were held at the Prince of  Wales to raise money to buy a new transmitter, with bands like Asylum, The Hypnotics and Mental as Anything playing. Regular PBS benefits were held at the Prince to raise much needed funds for the radio station, even after the station relocated to the Ritz Mansions, at 171 Fitzroy Street, St Kilda in 1984.

By the early 1980s post-punk acts were disbanding and making way for the next wave of punk bands. Hardcore punk with its faster, louder, and more aggressive music and image was strongly influenced by a combination of USA hardcore bands such as Black Flag, Dead Kennedys and Bad Religion as well as UK Chaos and anarcho-punk bands such as The Exploited, Crass and Chaos UK. Brightly coloured hair, elaborate Mohawks and Liberty spikes, bold makeup, torn clothes, band patches, safety pins, hand studded leather jackets and wristbands, bondage pants, and Doctor Marten boots were to become the uniform of the Melbourne hardcore punk, and while op-shops were still a major source of affordable clothing, now a 1960's dress could look good with a Mohawk, bold makeup and army boots.

As with the punks of the 1970s, DIY fashion also played an important role in the 1980s punk scene, and a major pastime for many Punks was spending hours hand studding jackets, belts and wristbands, and screen printing their own t-shirts with political slogans and band names. Bands like Depression, Vicious Circle, I Spit on your Gravy, Death Sentence, Sick Things, Fungus Brains, White Elephants, Civil Dissident, G.A.S.H, End Result, A.I.D.S, Murder Murder Suicide, Utter Stench, The Mess, The Tribe, Wasted Youth, Charred Remains, Permanent Damage, Arm the Insane, Bastard Squad, Human Waste, The Outfit, Extremes and Politburo became the mainstay of the Hardcore punk scene with bands being formed around socio-political ideologies and the desire to stand apart from mainstream society.

Again, St Kilda’s many music venuesThe BallroomPrince of Wales, The Espy, St Kilda Inn, Duke of Edinburgh, and Grosvenor Hotel - provided a much-needed home to many of Melbourne’s punks and underground musicians; a place where they could feel safe and thrash it out on the dance floor. During this era there was also the infamous ‘Thursday Crawl’ which consisted of free bands playing at both The Ballroom and the Prince of Wales, with punters moving between the two venues over the duration of the evening. 

However, despite its anti-establishment image, punk wasn’t only about spitting on people and playing three chords as the mainstream media would have us believe. Punk music also offered individuals new strategies for collaboration(with artists forming as bands), new models for presentation (promoting and staging gigs), and new channels of communication (the cassette, the record, the ‘zine). Above all, punk musicians established new definitions of independent practice. The do-it-yourself mentality that drove punk music was transferred to the art scene, propelling the independent art spaces and magazines that were the foundation of vanguard practices in the 1970’s and1980s.

Today, thanks to the efforts of these punk pioneers, St Kilda has become regarded as one of Australia’s most prominent live music scenes, and Melbourne has become regarded as one of the most important cities in the world to give birth to a unique and vibrant punk and underground music subculture.

Photo Credits:

  • Boys Next Door, live at The Ballroom, 1979 - Photo by Jeff Busby (AKA Joe Blitz)

  • Girls in the foyer of The Ballroom, 1979 - Photo by Jeff Busby (AKA Joe Blitz)

  • 3PBSFM magazine, 1981 – Cover art by Fred Negro - Source: Fred Negro

  • Punks in the toilet at The Ballroom, c. 1982 - Source: Greg Fordham

  • The Thursday Crawl, Bored Game, 1984 - Artwork by Fred Negro

  • Prince of Wales Hotel handbill, 1984 - Artwork by Fred Negro

The St Kilda Festival

The St Kilda Festival is known as Australia’s largest community festival – a celebration of community spirit, Australian talent, and the beautiful St Kilda foreshore. Since the first St Kilda Festival in 1980, this well-loved annual summer celebration has established itself as an iconic event that brings the community together. 

In 2023 a new two-day format was introduced, which was a huge success, attracting more than 375,000 live music lovers over the fun-filled weekend in February. 

Since its inception in 1980, the St Kilda Festival has supported female musical talent including: Adalita, Aimee Francis, Ainslie Wills, Alana Bruce, Alice Ivy, Alice Russell, Alice Skye, Alison Wonderland, Andrea Marr, Anita George,  Anna Paddick, Bakers Daughter,  Bec Sandridge, Becky Gee, Becky T, Belle Roscoe, Bernadette Novembre, Caiti Baker, Candice Monique, Carole Fraser, Charlotte Goodchild, Chelsea Wilson, Christina Anu, Christine Ward, Clairy Browne, Clare Bowditch, Courtney Barnett, Crystal Thomas, Daphne Miller, Deborah Conway, Diana Kiss, Diane McNicol,  Doll Squad, Ebony Boadu, Ebony Moncrief, Ella Thompson, Emily Ulman, Emma Donovan, Emma Louise, Erica Pringle, Felicity Hunter, Freya Josephine Hollick, Freya Stafford, George, Georgia Fields, Georgia Mulligan, Georgia Powell, Grace Vanilau, Gretchen Lewis, Gretta Ray, Hanna Silver, Hannah Kate, Hayley Couper, Hollie Joyce, Jen Hawley, Jess Harlen, Jess Hieser, Jess Locke, Jesse Mitchell, Jessica Coyne, Jessica Paige, Jess Ribeiro, Julia Darling, Julia O'Hara, Kate Bathgate, Kate Cebrano,  Kate Miller-Heidke, Katie Noonan, Kate Vigo, Katrina Burns, Katt Beames, Kelly Malone, Kerrianne Cox Band, Kerryn Fields, Kylie Auldist, Leanne Kingwell, Leticia Maher, Libby Steel, Lisa Miller, Lisa Young Quartet, Little G, Liz Cavanagh, Liz Stringer, Marcia Howard, Meg Sampson, Megan Bowman, Mia Dyson, Olivia Davis, Paris Wells, Patricia Clarke, Penny Hewson, Rachel Wirrapanda. Renee Geyer, Sarah Baxter, Teen Jesus and the Jean Teasers, The Miffs, Thndo, The Wet Ones, and Vivienne Gay, among many others...

Photo Credits:

  • St Kilda Festival Flyer, 1986. Artwork by Fred Negro, Source: Fred Negro

  • Photos of female singers/musicians at The St Kilda Festival 2023/24 - Source: St Kilda festival Facebook 

St Kilda Live Music Precinct



In 2021, the City of Port Phillip Council endorsed the Live Music Action Plan which recommended the development of a live music precinct. As a celebrated home of live music, St Kilda was selected as the prime location for a precinct and at 11 am Friday 23 June 2023, the St Kilda Live Music Precinct was officially declared.

The St Kilda Live Music Precinct is the first of its kind in Victoria and is a strong first step in re-enforcing St Kilda as a leader of live music locally and across the globe.

St Kilda is home to almost 70 per cent of live music venues in Port Phillip, making it the prime location for the new precinct. Many of St Kilda’s iconic music venues fall within the boundary of the new St Kilda Live Music Precinct area and are just waiting to be explored and enjoyed. 



Since the 1900s until today, the seaside suburb of St Kilda has been home to many famous and vibrant live music venues including: Be Bop and Loo Bar, The George Hotel (Crystal Ballroom/Seaview Ballroom), Esplanade Hotel (The Espy), Prince of Wales Hotel (The Prince/POW), Bananas, The Venue, Palais Theatre, The Palace, Bojangles, The Electric Ballroom, St Kilda Inn, Duke of Edinburgh Hotel, Grosvenor Hotel, Joey's Nightclub, Topo's Cafe, The Ritz, Dogs Bar, The Vineyard, Greyhound Hotel, Galleon Cafe, The Elephant and Wheelbarrow, Lost, Robarta, Surabaya Johnny, Claypots, The Fyrefly, St Kilda Bowling Club (The Bowlo), George Lane, The St Kilda Army and Navy Club (SKANC), MEMO Music Hall, Pause Bar.

Check out St Kilda musicians and gigs at the Live'n'Local Artists Database